Showing posts with label Pop Culture. Show all posts
Showing posts with label Pop Culture. Show all posts

Thursday, March 11, 2010

Glenn Beck: My Latest Frenemy

I think Glenn Beck hates me because we used to be besties when I was Mormon.

It's sad. He can't let it go.

Tuesday, February 9, 2010

What's Your Favorite NPR Show?

If you ever hear me say in conversation, "That's funny/interesting/discombobulating, I actually recently heard a story about blah blah blah...."

Chances are I heard about it on one of these three shows:
























BTW-Sorry to whoever out there is a fan of Air Talk. I am sure Terri is a lovely woman. Mike and I just can't stand her.

Wednesday, February 3, 2010

Haus of Gaga

The Grammys suck. I think the last time I actually watched the Grammys, I was 15. Does anyone care about the Grammys anymore? Well. I am sure some people do. What I have noticed, however, is that in my conversations with people since the Grammys few people have talked about the winners but people have definitely talked about Lady Gaga's Grammy "performances" (and Pink's, too, of course).

This woman (Gaga) is brilliant. Sure her pop music is great to dance to. It has a certain Euro-electro-pop that has breathed new life into the American pop scene. But what I love about Lady Gaga is that she has crafted this larger than life spectacle (and brand).

To my way of thinking, she has brought post-modern art to the masses and made them love every minute of it.



I mean how is her work really that different from Jeff Kouns?


Or Andy Warhol (whose hijinks were arguably the greatest part of his work)?


The painter in me just has to love this.

She has created a persona that extends beyond a couple of music videos (*cough* Sasha Fierce!) to the stage, red carpet events, paparazzi photos, interviews,everything she does.

She manages to keep everyone interested without resorting to cheap parlor tricks like flashing cooch in paparazzi photos.

What I think is really interesting is that part of her aesthetic is an aggressive, seductive repulsion. It can be light and poppy and at the same time have a hard, sometimes uncomfortable edge. Which, I think in this climate is exactly what people need.

Anything too "pretty" would be out-of-touch and wildly idealistic, but at the same time I think people want some sense of celebration (which is why I think The Black-Eyed Peas' I Gotta Feeling was such a wild hit this past summer). Adopting Gaga's hard edge (and also her debauched dance club celebration) can make someone feel invincible, though; feel stronger in an uncertain world by defying convention.

This unique blend is, I believe, a big reason for her appeal across various social groups. Her inspiring fashions are also about personal creativity rather than unattainable labels, which is appealing in our current economy.

And when you're looking for bang-for-the-buck, nothing beats her over-the-top shows. If you gave me a choice between tickets to a Gaga concert or a performance of La Boheme, I hate to say it, but I am going to have to take the Gaga tickets and am pretty sure I would walk away with longer-lasting memories. Her performances have raised our expectations of creativity.

What is notable about Gaga's success is that she was this no-name weird sound that emerged to dominate the pop culture scene. I think she is great example of how viral sharing which so many young people do (a good reason to have a kick-ass music video that makes people say "You HAVE to see this" to their friends) can lead to huge commercial demand.

The Wall Street Journal
actually wrote a really great article on how Lady Gaga represents the future of the music industry, parlaying viral success into capital rewards in other channels.

One of my regrets about leaving LA, however, is that somehow, listening to Gaga outside of the boundaries of West Hollywood is just not the same. I guess it loses something of its ironic appeal.

Thursday, October 1, 2009

It's So Hard Having Famous Friends!

I knew it would happen once I moved to L.A., but I still don't know how to make sure everyone gets the attention they deserve. So when Gavin invited me to lunch, I had to figure out how to bow out gracefully.

I think this did the trick.

(I wonder who will actually read it.)

Tuesday, April 28, 2009

R.I.P. Shabby Chic















Salon.com article here



REST IN PERCALE, SHABBY CHIC. PROVENCALE PERCALE!

That's right, Shabby Chic has gone belly up. And it's true, I am mostly writing this because I couldn't resist that play on words, but I do think it is an interesting development in the bankruptcies that have come with this recession.

For those of you who don't know, Shabby Chic was not just a nation-wide movement, it was an actual brand, started by a woman named Rachel Ashwell.

Shabby chic style was great if you had ovaries and liked comfortable furniture in which to appreciate your superfluous post-graduate degrees. But while the end of Shabby Chic, Inc. is blamed mostly on ill-timed expansion, I have to wonder if it isn't reflective of a deeper cultural trend.

Sure many home furnishings companies are going through tough times, but Shabby Chic was all about comfortable, new furniture that looked and felt like it was really old. Stuff that maybe you got at a flea market or conned your French grandma out of in exchange for some Julio Iglesias CDs and a bottle of California cabarnet.



It is because of Shabby Chic that words like "tea-stained" and "patina" are part of our vernacular and why you can use "sour cream" as a color while maintaining a straight face. Well . . . maybe just I can.

Shabby Chic was all about purchased history. Much like distressed, "antiqued" jeans, funky graphic tees from Urban Outfitters, and The OC Season 1 Soundtrack--it made you seem cool, like you had a rich life with colorful, obscure interests, while investing minimal time and energy.




But there is something really messed up about buying that. While we have always tried to co-op cool, what does it matter if you buy an Empire-era inspired secretary desk if you don't understand which Empire that desk is referencing?

We are departing from an era of excess, where we didn't mind spending top dollar for shabby chic and a gleaming SUV in the driveway to allegedly lug those charming treasures (although home delivery is nice) and I have heard throughout the previous months that Americans are returning to comfort foods and more traditional fashions, that thrift, rather than plush indulgence, is becoming a badge of pride. I retain a tentative hope.

We do know distressed jeans are dying, Shabby Chic is dead, and I think (I hope) that from now on, if we want to get something commercially produced we will embrace it completely (like Lady Gaga) and that if we want something with history, we will drag our collective asses away from Hulu/TiVO and go out live substantive enough experiences to fill our homes with things that really mean something to us. You know. Make it an actual home.

Tuesday, February 10, 2009

Mad Libs!


Don't get me wrong. I think Mad Men is beautifully cinematic, very well-written and acted, and just a great show I would love to follow, but I am kind of sick of hearing about it, and I think I will have to endure people assuming that is what my job is really like for . . . at least the next five or six years.